Adam Sandler is a likable guy. I don’t know why. I avoid nearly every movie he’s in — usually, tepid broad comedies, always playing up the signature appeal that’s been his brand since Saturday Night Live. Sandler has gotten serious on us before, flexing dramatic muscles in films like Punch-Drunk Love (2002), Spanglish (2004), Funny […]

Read More In The Rough: ‘Uncut Gems’