What a night! Leave it to a telecast celebrating the films of 2016 to have a shocking surprise in store at the end. Last year, the modest Spotlight bested the bombastic The Revenant in the Best Picture race, even after Alejandro Gonzalez Inarritu won Best Director. This wasn’t a total shocker, because The Revenant was […]Read More We Won Best Picture.
It’s just about Oscar time again — though for once, the Best Picture race isn’t exactly the most disappointing contest I’ll witness over the past year. At times like these, the Academy Awards feel somewhat frivolous. It’s possible that some likely winners — The Salesman, Mahershala Ali, The White Helmets, OJ: Made In America, and even […]Read More The Not-Oscars 2016
Another year, another awards season. But this was no ordinary year. Where to begin, when we speak of 2016? Most years, I just pick my favorite films, and that’s it. But this year, it felt important to really think about these choices, and what they expressed about my feelings this year. That’s not to say […]Read More The Tens: Best Of Film 2016
“The threat is nearly invisible in ordinary ways. It is a crisis of confidence. It is a crisis that strikes at the very heart and soul and spirit of our national will. We can see this crisis in the growing doubt about the meaning of our own lives and in the loss of a unity […]Read More Twentieth Century Women: Luminous Ladies Of The 1900s
The “coming out” film has been the cornerstone of queer cinema for at least a couple of decades. For all the progress the LGB… (sorry, I’ve lost track of how many letters are supposed to be attached to that alphabet soup) movement has made in shifting from the niche to the mainstream in that time, […]Read More Monsters In Moonlight: The Year’s Best Dramas Come Out To Play